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Top Stories
Stories in Critique that you’ll love, handpicked by our team.
The Road by Cormac McCarthy:
"If he is not the word of God, God never spoke." It's a line spoken by The Man, unnamed, early on in the 2007 Pulitzer Prize winning novel, "The Road" by Cormac McCarthy. It's this line, elegiac and moving, infused with despair and hope, that informs you, you're not reading something you'll easily forget.
By Adam Diehl10 days ago in Critique
Diaries to Nietzsche
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH2 months ago in Critique
Who Is Clavicular? The Looksmaxxing Streamer Who Ran Over A Stalker In His Cybertruck
What is so damaging to this current culture is the ant-intellectualism which pervades nearly every element of it. Clavicular, real name, Braden Peters equivocates physical form with getting women, making money, and overall being a strong “man.”
By Skyler Saunders3 months ago in Critique
Scrooge has entered the building!
From the swirling depths of inner turmoil, I grace you with a moment of much-needed sarcasm... I was gifted/tempted with the task of sharing unbiased opinions for a torrent of uplifting pieces of written art that have found their way to my unapproving eyes.
By Lamar Wiggins4 months ago in Critique
Taking a Different Approach on Birthdays
Hello November! It's my birthday month, meaning that I'm a Scorpio, if you're into that sort of thing. One of the best traits about my zodiac sign is that I'm competitive and want to succeed in life. I love celebrating my birthday, which happens to be on November 13. In case you're curious how old I'll be. I'll be turning 38 years old. If you look at my profile picture on here, you must be thinking that I don't look my age and you're right. I've been mistaken for a high school student and a college student. I'm fine with that and looking youthful works to my advantage. You've heard the saying, "Black don't crack." It's another way of saying that black people don't show any signs of aging. As I near 40, I've since outgrown birthday parties. The last time I had a birthday party was at home after school and 14. Nearly 25 years later, someone throwing me a party, while the gesture is admirable and with good intent, I don't feel the need to dress up and attend my own party thrown by someone else. I turned 18 in 2005 and my friend at the time took me out to miniature golf, then had my birthday dinner at Olive Garden. Besides, who doesn't love their endless breadsticks? The staff surprised me with a chocolate cake. After that, my friend and I went to Best Buy, and I chose my first country CD. That album was Toby Keith's Honkytonk University. I couldn't wait to go home and listen to it. I wore that CD out on a daily basis, because no songs from that album were skippable. It was so good and had since fallen in love with country music. Unfortunately, I ended my friendship with my long-time friend and classmate in 2021 after nearly two decades, due to his anti-gay views. I came out to him in the summer of 2012, several months after I came out of the closet. We're no longer friends, but that was one of the best birthday memories I've ever had.
By Mark Wesley Pritchard 5 months ago in Critique
Latest Stories
Most recently published stories in Critique.
The Addams Family - TV Series
As a kid, The Addams Family was a favourite of mine, not as obvious as The Munsters but delightfully subversive. As an adult I bought the DVD and was not impressed with the picture quality, but five minutes into the first episode that didn't matter. Astin, Jones & Co Perfection.
By Mike Singleton 💜 Mikeydred 26 minutes ago in Critique
Living Scripts: When Cinema Becomes Therapy...
Cinema has always functioned as a mirror, but in certain films it becomes something far more unsettling: a stage where life is not merely reflected but reconstructed, rehearsed, and, in some cases, corrected. Joachim Trier’s *Sentimental Value* (2025) and Hirokazu Kore-eda’s *The Truth* (2019) belong to this rare category. Both films explore the same disturbing possibility—that art is not only an expression of life, but a substitute for it. More precisely, they reveal how artists, unable to communicate directly with those closest to them, begin to stage their own lives as a form of apology. In doing so, they transform cinema into a form of psychodrama, where the past is reenacted in the hope that it might finally be understood.
By Peter Ayolovabout 14 hours ago in Critique
Delete all my music’: Kehlani makes it clear ICE agents aren’t welcome in her fanbase
Dear Kehlani, Hey, beautiful. You’ve got a point. F*ck ICE. That whole organization performed some of the most heinous acts against American citizens and those yearning for citizenship. What you have stood on is your word to properly address the ugliness of ICE.
By Skyler Saundersabout 15 hours ago in Critique
Phase 1: The Ultimate Disconnection Protocol
The modern world is going through something that experts can't quite explain. What they call a "mental health crisis" or "failing to fit into society" is actually the spark of something much deeper. It is the exact moment when you begin to see the cracks in the sky of this cardboard reality.
By Lorena Alonso2 days ago in Critique
Confession of a Filmmaker
I am sitting in the dark of my own home, trapped between two glowing monuments. To my left, the cool light of my workstation—where I process reviews, answer emails, and earn my living. To my right, another monitor, flickering with the latest offering from a streaming giant. My head has learned a precise gymnastics; I call it the "Geometry of Attention." It's a calculated dance that allows me to track a dialogue-heavy drama on one screen while editing on the other.
By Feliks Karić3 days ago in Critique
Mapping vs Listing
Much of what gets labeled as rambling is actually a mismatch between how ideas are structured internally and how they are expected to be presented externally. Many environments reward listing, where ideas are arranged in clean sequences, bullet points, or linear arguments that move from premise to conclusion in a predictable order. This structure works well for certain kinds of reasoning, particularly when problems are discrete and conclusions are already known. It does not work as well for reasoning that depends on relationships, causality, or pattern recognition across multiple domains. When relational thinkers speak, they are often navigating a different internal structure altogether, and that difference is frequently misunderstood.
By Peter Thwing - Host of the FST Podcast3 days ago in Critique
Creators We’re Loving
The creative faces behind your favorite stories.
Joe O’Connor
83 published stories
Mike Singleton 💜 Mikeydred
3588 published stories
Adam Diehl
46 published stories
Skyler Saunders
3094 published stories
Tim Carmichael
258 published stories
Lana V Lynx
593 published stories
Lamar Wiggins
333 published stories
Gillian Lesley Scott
113 published stories
LUCCIAN LAYTH
46 published stories
Mark Wesley Pritchard
423 published stories











